Dale Gilmore, Joe Ely and Butch Hancock have been friends for almost 40 years, and members of that not-really-a-band,
life-of-its-own musical entity known as The Flatlanders for nearly as long.
But when the trio decided to collaborate on songwriting for Hills And Valleys, the fourth in a rather
elongated string of Flatlanders albums, they realized it wouldn’t be easy. They’d done it before for one thing, first
for the soundtrack to the 1998 film The Horse Whisperer, then for their “reunion” album, 2002’s Now
Again. So they already knew they’d be as likely to spend hours trading tales and laughing uproariously as they would
trying to agree on a lyric.
And they knew how long that could stretch out, too. “Sometimes we’d work on one line of a song for several
days,” Ely reveals. “That’s just one line, not a verse. It’s hard to please all three of us at
But for Hills and Valleys, they
not only managed to come up with eight eloquent joint efforts, they added Ely’s “Love’s Own Chains” and
“There’s Never Been,” Hancock’s “Thank God For The Road,” one by Gilmore’s son, Colin
(“The Way We Are”), and, for good measure, their arrangement of Woody Guthrie’s “Sowing on the
Mountain.” That one serves not only as an homage to one of their musical guideposts but, as Hancock notes, a representation
of the album’s general theme: “the ups and downs, emotionally, of peoples’ lives these
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